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Search Results ... (497)
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Sir Neil O’Neill (c.1658-90) by John Michael Wright (1617-94)
... of Sir Neal O’Neill (c.1658-90) places as much importance on the clothing and trappings of rank as it does on any likeness of the sitter. ...Sir Neil O’Neill (c.1658-90) by John Michael Wright (1617-94)
This portrait by John Michael Wright (1617-94) of Sir Neal O’Neill (c.1658-90) places as much importance on the clothing and trappings of rank as it does on any likeness of the sitter.
Copyright Philip Mould Ltd
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Old Woman Burning Leaves (c.1887) by Frank O’Meara (1853-1808)
... by Frank O’Meara (1853-1808) shows the influence of French painter Jules Bastien-Lepage in the type of colour and the atmosphere. The old woman’s age is reflected in the late time of day, and ...Old Woman Burning Leaves (c.1887) by Frank O’Meara (1853-1808)
Old Woman Burning Leaves (c.1887) by Frank O’Meara (1853-1808) shows the influence of French painter Jules Bastien-Lepage in the type of colour and the atmosphere. The old woman’s age is reflected in the late time of day, and the season.
Courtesy of Dublin City Gallery, the Hugh Lane
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Strategy Isolate (1989) by Willie Doherty (b.1959)
Black and white photographs with text mounted on masonite; diptych. Strategy Isolate (1989) by Willie Doherty (b.1959) shows a footbridge leading to neglected social housing. Doherty explores in ...Strategy Isolate (1989) by Willie Doherty (b.1959)
Black and white photographs with text mounted on masonite; diptych. Strategy Isolate (1989) by Willie Doherty (b.1959) shows a footbridge leading to neglected social housing. Doherty explores in photographic images various aspects of the problems occurring in Northern Ireland, in recent decades.
Courtesy of the Kerlin Gallery, Dublin
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Portrait of Marcel Duchamp (1966) by Brian O’Doherty/Patrick Ireland (b.1928)
Portrait of Marcel Duchamp (1966) by Brian O’Doherty/Patrick Ireland (b.1928) incorporates the graphic output of an electrocardiogram of Marcel Duchamp’s heartbeat.Portrait of Marcel Duchamp (1966) by Brian O’Doherty/Patrick Ireland (b.1928)
Portrait of Marcel Duchamp (1966) by Brian O’Doherty/Patrick Ireland (b.1928) incorporates the graphic output of an electrocardiogram of Marcel Duchamp’s heartbeat.
Courtesy the Artist
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Study after Velázquez’s Portrait of Innocent X (1953) by Francis Bacon (1909-92)
... X (1953) by Francis Bacon (1909-92) is one of the most expressive studies of character in visual art, suggesting a personality tortured by internal psychoses. Oil on canvas, 60 x 46 in. (153 x ...Study after Velázquez’s Portrait of Innocent X (1953) by Francis Bacon (1909-92)
Study after Velázquez’s Portrait of Innocent X (1953) by Francis Bacon (1909-92) is one of the most expressive studies of character in visual art, suggesting a personality tortured by internal psychoses. Oil on canvas, 60 x 46 in. (153 x 118.1 cm) Des Moines Art Centre, Nathan Emory Coffin Collection © The Estate of Francis Bacon. All rights reserved / DACS, London 2009.
© The Estate of Francis Bacon. All rights reserved / DACS, London 2009
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The Little Green Fields (1945) by Gerard Dillon (1916-1971)
The Little Green Fields (1945) by Gerard Dillon (1916-1971) shows the small fields bounded by stone walls, that typified the west of Ireland. In each section, Dillon places symbolic characteristics of ...The Little Green Fields (1945) by Gerard Dillon (1916-1971)
The Little Green Fields (1945) by Gerard Dillon (1916-1971) shows the small fields bounded by stone walls, that typified the west of Ireland. In each section, Dillon places symbolic characteristics of Irish culture, like potatoes or high crosses. The child-like ‘naïve’ style is a deliberate method of suggesting a simple, unsophisticated, and unspoiled way of life. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of Ireland
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Self-Portrait as Timanthes (c.1780-1803) by James Barry (1741-1806)
... as Timanthes (c.1780-1803) by James Barry (1741-1806). Barry presents himself personified as an artist of ancient Greece, in an image full of references to classical mythology. Partly ...Self-Portrait as Timanthes (c.1780-1803) by James Barry (1741-1806)
Self-Portrait as Timanthes (c.1780-1803) by James Barry (1741-1806). Barry presents himself personified as an artist of ancient Greece, in an image full of references to classical mythology. Partly visible behind him is the sculpture of Hercules crushing the serpent of Envy. See also Death of Adonis. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of Ireland
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Seanchas Búrcach fol. 18v
Búrcach (c.1560) ...Seanchas Búrcach fol. 18v
Seanchas Búrcach (c.1560)
Board of Trinity College Dublin
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Grove Dictionary of Art
Groves Dictionary of Art, 1996. A comprehensive history of art in 34 volumes.Grove Dictionary of Art
Groves Dictionary of Art, 1996. A comprehensive history of art in 34 volumes.
Carlow County Library
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The Opening of the Sixth Seal (1828) by Francis Danby (1793-1861)
The Opening of the Sixth Seal (1828) by Francis Danby (1793-1861) demonstrates the human drama of Romantic painting, which here contains elements of the sublime. Courtesy of the National Gallery of ...The Opening of the Sixth Seal (1828) by Francis Danby (1793-1861)
The Opening of the Sixth Seal (1828) by Francis Danby (1793-1861) demonstrates the human drama of Romantic painting, which here contains elements of the sublime. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of Ireland
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