Genre, narrative and allegory
Time Flies (1887) by William Gerard Barry (1864-1941)
Time Flies (1887) by William Gerard Barry (1864-1941) captures an idyllic moment in childhood, but is also a reminder that time moves on relentlessly. The old woman seems to remembering her own youth
Courtesy of the Crawford Art Gallery, CorkTime Flies (1887) by William Gerard Barry (1864-1941)
Time Flies (1887) by William Gerard Barry (1864-1941) captures an idyllic moment in childhood, but is also a reminder that time moves on relentlessly. The old woman seems to remembering her own youth
Courtesy of the Crawford Art Gallery, CorkThe Wounded Poacher (1881) by Harry Jones Thaddeus (1859-1929)
The Wounded Poacher (1881) by Harry Jones Thaddeus (1859-1929) presents the young poacher as a heroic victim rather than a criminal. The treatment of the body suggests pietà images, showing the sacrifice of Christ. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of IrelandThe Wounded Poacher (1881) by Harry Jones Thaddeus (1859-1929)
The Wounded Poacher (1881) by Harry Jones Thaddeus (1859-1929) presents the young poacher as a heroic victim rather than a criminal. The treatment of the body suggests pietà images, showing the sacrifice of Christ. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of IrelandScenes of everyday life are notable for the extent to which they reflect the behaviour and norms of society of the day: by illustrating it, by presenting an ideal to emulate, or by caricaturing it for amusement. Often such images tell a story or carry a moral message. While elements of the realities of everyday life may be illustrated, there is also often a desire to entertain or to invoke emotion, and nineteenth-century Irish painting reflected the international passion for anecdote and sentiment.
The Potato Diggers (1912) by Paul Henry (1876-1958)
Paul Henry (1876-1958), The Potato Diggers (1912). This image of peasants draws on the work of French painters of peasants. The potato diggers are positioned above eye level, conferring a nobility on their hard work and fortitude. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of IrelandThe Potato Diggers (1912) by Paul Henry (1876-1958)
Paul Henry (1876-1958), The Potato Diggers (1912). This image of peasants draws on the work of French painters of peasants. The potato diggers are positioned above eye level, conferring a nobility on their hard work and fortitude. Courtesy of the National Gallery of Ireland
Photo (c) National Gallery of IrelandNight’s Candles are Burnt Out by Seán Keating (1928-9)
Night’s Candles are Burnt Out (1928-9) by Seán Keating (1889-1977) is an allegory – a symbolic scene or story - suggesting that outdated and ineffective methods related to violence or superstitious faith were being replaced by a hopeful future, symbolised by the young family, based on social and technological progress.
Copyright Gallery OldhamNight’s Candles are Burnt Out by Seán Keating (1928-9)
Night’s Candles are Burnt Out (1928-9) by Seán Keating (1889-1977) is an allegory – a symbolic scene or story - suggesting that outdated and ineffective methods related to violence or superstitious faith were being replaced by a hopeful future, symbolised by the young family, based on social and technological progress.
Copyright Gallery OldhamIn the early twentieth century, genre scenes largely reflected the desire to present an authentic image of Ireland , often for nationalistic reasons. There was a particular focus on scenes in the rural West and its people, identified as the quintessential Ireland . The political, economic and social challenges besetting Ireland were often the subject of such scenes. Allegorical (symbolic) scenes, were also used to convey ideas about Ireland ’s identity, heritage, and potential in the future.
The Liffey Swim (1923) by Jack Yeats (1871-1957)
The Liffey Swim (1923) by Jack Yeats (1871-1957) records a popular annual event that still takes place today. Yeats captures the sense of excitement as the local people gather together to witness the event. Courtesy of the National Gallery of Ireland
© Estate of Jack B Yeats. All rights reserved, DACS 2009The Liffey Swim (1923) by Jack Yeats (1871-1957)
The Liffey Swim (1923) by Jack Yeats (1871-1957) records a popular annual event that still takes place today. Yeats captures the sense of excitement as the local people gather together to witness the event. Courtesy of the National Gallery of Ireland
© Estate of Jack B Yeats. All rights reserved, DACS 2009
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